Appendix 4
Regalia
INTRODUCTION: Even though there has been no decision as to
the final design of the new principality arms as yet, time has come to start
the process that will end in the creation of our new regalia. It will take
about one year from the start of this process until the completion of the first
pieces (based on the experience of producing the kingdom crowns). This process
breaks down to three large areas:
1) determining the underlaying
concepts that the regalia will be based upon.
2) soliciting designs for the
individual pieces, and selecting those best suited.
3) engaging artisans for the actual
production and providing the resources necessary.
COMMITTEE: The first task is to appoint a small group to act
as a guiding committee for the process. Ideally such a group would be comprised
of persons with the best possible combination of the following attributes:
well developed skills in design
background in historic styles
experience with SCA rituals
working artisan (to evaluate production
problems)
To this end the following people are recommended as possible
committee members (note that none of these people have volunteered for this
task yet, others may also serve).
Duke Finnvarr
Baron Torbin
Master Thorgrimmir
Mistress Tamarra
Master Sylard
Mistress Mordreth
Mistress Kaffa
An ideal number of members for such a committee would be
four or five people. This group should be formed as soon as possible.
CONCEPTS: The first, and in some ways most difficult, task
of the committee, will be the determining of the underlaying concepts that the
regalia must symbolize. A certain amount of polling amongst the general
populace will be required, to determine the type of regalia that should be
produced. Obviously there must be some kind of coronets created (or do we wish our leaders to wear collars?).
Do we want some kind of 'weapon of state' (the
traditional sword, the celtic spear, norse axe or even an archers kit?)? Will
there be a principality champion (will he
carry the weapon of state, or perhaps an ornamental shield as in the celtic
tradition?)? Is the arts champion to be qiven a place of high honour (to become the bearer of an embellished
chalice – again a celtic tradition?)? Are the designs for the regalia to
form some kind of unified group of artifacts, as was the case of the kingdom
crowns? What pieces of regalia should be created under strict commissions,
which left up to the chance of donations? How are any commission pieces to be
funded (the kingdom crowns clone cost over $150 for the stones end metal used)?
As with other aspects of our new principality, the creation
of our regalia gives us a chance to borrow what ideas that have proved
successful from the kingdom, and combine them with those new concepts that
define Eldermere as an independent region.
Ps: Mistress Mordreth and myself do in fact uolunteer to
serue on this committee. I
Master Sylard of Eagleshaven
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